Knar Gavin
Katie Naughton Katie Naughton

Knar Gavin

“Not unlike Zurita’s Song, this book is astonishing — by which I mean, the thing interfered with me (from the reflexive French verb s’entreferir, interference involves a mutual strike; a strike the launch of which supposes some counter-strike), in turn demanding some kind of reckoning, of adjustment on the level of thought. Like, is poem/poet/publisher/institution X ___ an attack dog of the state? Has ____ helped disappear all of the bodies? Will ___ decline to man the guillotine, or?”

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